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1/6TH AMBROTYPE OF MATHEW W. STINSON 45TH GEORGIA INFANTRY
Item #: WC-10
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The 1/6-plate ambrotype is of Mathew W. Stinson, who served in the 45th Georgia Infantry during the American Civil War. The image captures Stinson in uniform; of particular note is his use of imported British military equipment. He is outfitted with a full set of English accouterments, including cartridge box, belt, bayonet, and sling —items commonly associated with Confederate reliance on foreign supply lines. He is proudly holding a Pattern 1853 Enfield rifle-musket, one of the most widely used imported firearms of the Confederacy, many of which were brought through Union blockades via transatlantic trade networks. Unfortunately, the image has a crack, but luckily, it does not distract from the view of Stinson.

The presence of these English accouterments and the Enfield musket reflects the logistical challenges faced by Southern forces and their dependence on blockade running to sustain their armies. Such equipment became especially prevalent in Confederate ranks by the mid-war years, as domestic production struggled to meet demand.

The 45th Georgia Infantry was organized in 1862 and served primarily in the Eastern Theater with the Army of Northern Virginia, fighting in all of the major battles. The regiment participated in numerous campaigns and endured significant hardship as Confederate resources dwindled. By the latter part of the war, its soldiers were frequently involved in trench warfare and defensive actions against advancing Union forces.

Mathew W. Stinson’s service reflects the harsh realities faced by Confederate infantrymen. He was wounded during the Battle of Petersburg, suffering a gunshot wound through the left shoulder. Later, on March 25, 1864, he was captured by Union forces and subsequently imprisoned at Point Lookout Prison, one of the largest Union prison camps for Confederate soldiers. Stinson remained there until the conclusion of the war in 1865.

This ambrotype not only preserves the likeness of an individual soldier but also serves as a visual record of the Confederate army's material culture—highlighting the interplay between global supply networks and the lived experience of soldiers in one of America’s defining conflicts.


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